Category: A Young Widow’s Promise

Hallmark Omits "Gay;" Free Gay Excerpt Friday

Hallmark Omits “Gay”

I found this article interesting because I’m finishing up a holiday novel right now that’s part of a new western series set in fictional Glendora Hill, Texas, and I’ve literally been walking on proverbial egg shells in some sections of the book with regard to using the word “Christmas” or “Holidays.” Notice how I used “Holiday” in this post to describe the book. I’m not trying to be too politically correct by any means, but these days it’s hard to tell when you’re making a mistake and whom you’re going to offend unintentionally.

And I don’t for a moment think Hallmark meant to offend anyone by taking the word “Gay” out of a holiday song and replacing it with “Fun.”

Critics took to Twitter and Hallmark’s Facebook page, accusing the company of making a political statement by using the word “fun” to replace “gay.” Some Facebook commenters said they would never again buy Hallmark merchandise and that the change amounted to the company rewriting Christmas classics in the name of political correctness. Others suggested removing the word “gay” demonstrated a homophobic bias.

Hallmark has responded with surprise. They didn’t expect the backlash and the criticism. I get that. CNN still doesn’t understand why no one watches them, and MSNBC is totally baffled that Fox gets higher ratings.

In the same respect, as a gay man I honestly wouldn’t have thought twice if I’d seen a Hallmark sweater with the word “Gay” within the context of the song, “Deck the Halls.”

As for my book, I’ll be using “Christmas” and “Holiday” at different points in the book, and I decided to address the issue of this kind of political correctness with a few short lines in the book. It’s there. We’re all sensitive to it at one point or another. And I figured I would cover the topic lightly and objectively without stopping the story.

You can read more about Hallmark here.

Free Gay Excerpt Friday

I’ve been posting about releasing my back list titles from Loveyoudivine.com lately, and this e-book was originally pubbed with LYD with a pen name, R. Field. At the time, the publisher thought it would be a good idea and I agreed. But when I released it on my own recently I decided there’s no point in using a pen name. It makes no sense to me.

It’s a twenty six thousand word novella, a civil war historical, and there’s a very strong gay sub plot that’s highly emotional. I titled it A Young Widow’s Promise because the main storyline revolves around a Civil War widow who starts doing something very unusual that includes burying dead soldiers in her front yard, and taking in three enemy soldiers from the opposing side. Here’s the full excerpt and this time there’s no need to click to my other web site. You can find the entire book here, here, and here, as a .99 e-book. And…this is from a raw edit because PDF doesn’t convert well to google blogger.

For those who might not trust me, the setting is real.

A Young Widow’s Promise

Felecia Roundtree sat on the edge of her bed in the only white dress she had left since the war had begun. She’d always preferred white because it was simple and easy to care for. She should have been wearing black, but she wasn’t seen often enough to worry about it. Besides, this dress had turned mostly pale gray by then anyway, and the hem was beginning to fray. She’d been meaning to buy fabric to sew a new dress, but it wasn’t on the top of her chore list. It was already after six on a warm, moist Saturday morning in late August and she hadn’t even finished dressing yet.

Felecia was thirty-seven years old but looked more like twenty-seven. Her hair was long and strawberry blond and parted dead center; thick waves fell into points below her shoulders. Each morning, she haphazardly pulled it back and pinned it into a chignon exposing a face so delicate and pointed and looked so much like a handsome fox, old friends sometimes called her Foxy.

Before she started her day, she crossed her legs and hesitated. She rested her chin in the palm of her hand and sighed. Then she pursed her lips and gazed through the open window of her second-floor bedroom, beyond the small, quirky cemetery that surrounded the entire front of her property. This was one of those mornings she still had trouble believing she had a graveyard in front of her house.

She reached for a book on the cherry nightstand alongside the bed, a small black bible with faint traces of what had once been gold lettering embossed on the frayed cover. She didn’t open it. She just placed her right palm on top and said a small prayer for her two young sons who were off fighting somewhere in Virginia. Last she’d heard, they were in Spotsylvania, but she’d never been south of where she lived and new nothing of the places people told her about. But Felicia knew how to pray. And she did this almost every morning, praying the war would end soon and that her blessed boys would return alive and well. She’d lost their father, Joshua, a year earlier in a small battle outside Atlanta. At least that’s what she’d been told, though it wasn’t one of the largely publicized battles that would ever be in the American history books, and she’d never seen the body.

But that didn’t matter, because she saw Joshua at least once every single day. At least she thought she did: she’d been alone for so long, she wasn’t sure about anything anymore. She never mentioned aloud seeing Joshua to anyone; it was her own little secret. Sometimes in the early morning, while pulling her hair back or putting on her shoes, she’d notice him standing in the bedroom doorway in his dark uniform. His hat would be pulled down below his eyebrows; he would be leaning against the frame with arms folded and feet crossed at the ankle. There was always a sly grin on his face as though he knew some dark secret she didn’t. She jerked and blinked the first time it happened. Her heart started to beat so rapidly, she had to grab hold of the bed post to keep from falling down. But the old sparkle in his steel blue eyes calmed her nerves immediately and made her feel whole again. His handsome half-smile slowed her racing heart. And though he never spoke to her, not even a single word, there were times when she thought she heard the faint whistle of an old song she couldn’t quite place.

She hadn’t seen Joshua that morning. She could never predict when he might pop in. But Rusty, a colossal black and red mongrel who wasn’t as mean as he looked, began to bark out in the front yard and Felecia dropped the bible and put on her shoes fast. She reached under the bed for the shotgun. This wasn’t instinct; she was alone. She’d learned to be prepared thanks to the war. Rusty’s bark that morning wasn’t a playful bark like when he was standing at the back door and wanted to go out. This sound was dark and wrecked; a bark-growl combination he only used when strangers approached. Where she lived, she took nothing for granted. Her property was called Locust Point, not far from Finns Point, just north of Salem, New Jersey. Locust Point was on the Delaware River adjacent to Fort Delawareabout ten miles south of Wilmington, Delaware. Fort Delaware, on Pea Patch Island, had been completed in 1859. That’s where they kept confederate prisoners of war. The majority of them had been taken from Gettysburg. And sometimes, though not often, they escaped and swam to New Jersey. She’d seen what some of those desperate, starving men would do to survive. She’d lost her only sister the last time one escaped and the experience had instilled a fear in her that would never go away. The scoundrel had raped, stabbed, and then robbed the last ten dollars the poor soul had in the house. Though Felecia had always been the gentle one in the family, she’d learned hard and fast during wartime that a woman’s best friend was her shotgun.

While old Rusty continued to bark, Felecia ran through the upstairs hall, down the sweeping curved staircase and out the front door. She stopped short at the edge of the stone portico and stood beneath a small gold sign that read “Monkey Jungle.” There was something happening beyond the green lawn with the small white grave markers. Down near the black iron front gates, three gray figures came into view. From what she could see, there were three men in tattered clothing; the one in the middle had his arms wrapped around the two on either side for support. She cocked the shotgun, pressed her index finger to the trigger and shouted, “Get away; nothing here for you. I shoot to kill.” In spite of her shaking hands, she wasn’t joking.

“Wait, please, don’t shoot,” said the one on the right, his voice hollow and low.

“Leave or you’re a dead man,” she said. Her voice remained clear and solid; she stood with her legs braced and spread apart while pointing the gun in their direction.

“There are three of us,” the voice said, “Call off your dog and please help us; we’re wounded and weak. We mean you no harm.”

“I said leave or I’ll kill you all in cold blood,” she shouted, and then fired a shot toward the sky to prove the gun was loaded. She knew the old dog wouldn’t actually harm them. His breathing was short from all the excitement and his eyes grew heavy, as though ready for a nap. Besides, there wasn’t a tooth left in his mouth. But they didn’t know this. “I said leave.” She wasn’t joking.

“I beg of you, madam, please help us or we’ll die anyway,” the blond one on the right said. His voice was higher and friendlier. “We haven’t eaten anything in over a week.”

“You may as well shoot us dead right now and put us out of our misery,” said the dark one on the left, “We’re as good as dead anyway.” His voice had a sharp edge and he sounded more serious, almost indignant. But she had to admit his lack of fear served as an admirable trait, especially in the face of a loaded shotgun.

She was about to fire another shot in their direction when they gently placed the man in the middle down on the dirt road; he rested on his side in a fetal position. The other two then slowly went down on their knees, reached out to the Iron Gate for support and bowed their heads.

And that’s when Felicia’s chest caved in. Had it come to this, she wondered, where there was no one left in the world to trust? Felecia slowly went down the stone stairs, with the shotgun perched and ready to fire, and walked toward the three men for a better look. Though she was terrified and her arms were on the verge of shaking, it occurred to her this was one of those situations you couldn’t judge offhandedly. If they had been planning to rape and pillage her, they wouldn’t have approached the gates with such trepidation. They would have stormed through, taken her by surprise and ravaged whatever they wanted. Or they would have come in through the back way and caught her off guard. She knew there were certain things you could portend with wild men: they didn’t take the time to rationalize anything. Like mad dogs, it was all through instinct, especially when they had been starved for so long.

The fearless man on the right lifted his weary head when she approached the gate. He had a strong nose and chin, with dark hair and large brown eyes that suggested honesty and gentleness at a closer glance. Patches of dark hair covered his young face. “I swear to you, we mean you no harm.” He lifted his arms and spread them wide, palms facing her.

“Where do you come from?” she asked, pointing the gun at his head.

“We’re all from Georgia; we escaped from Fort Delawareand all we want to do is get back home to our families and loved ones,” he said. “All we ask is for a little help. Please have mercy on us.”

“We swam the river,” said the one on the left, “and dragged our friend here the whole way; he’s dying. We haven’t had food or water in days. Please, have mercy on us. We’re begging you.”

The one on the left was fair, with bond hair, blue eyes and full lips. His face was covered with an even, pale fleece that stopped short just below his chin. If Felecia had had a brother, that’s probably what he would have looked like. But it was the way his eyes penetrated hers that sent a shiver down her spine. They weren’t the eyes of a killer or a starved madman; his eyes were those of a man in need.

Felecia creased her brow. “What do you want from me?” She had her own problems.

“Just some food and water, and a little time to rest before we’re on our way home again,” said the man on the right. “Look, we’ve told you the truth. We are escaped prisoners; we could have lied about that. We could have tricked you and made up a story. But we want you to trust us. We have nothing against you.” He shrugged and stretched his arms out so the palms of his hands were exposed.

It occurred to Felecia that she might have become so hardened to pain and death and war that she could have killed them all right there in cold blood and then gone on with her daily chores. She’d never truly known what had happened to her husband or what was happening to her own young sons at that very moment. Why should she care about total strangers? These men were nothing to her. They were the enemy and didn’t deserve to live. But there was something about the piercing expression of the man on the right that made her hesitate. His brown eyes were kind, almost protective, as though she knew instinctively there was nothing to fear when he was around. But more than that, he seemed so familiar, as if he were an old friend she hadn’t seen in years. Yet, she knew she’d never laid eyes on him before.

“We have no weapons or arms,” said the blond man, “We are three weak men begging for your help.”

She had two choices: she could kill them all and be done with it, or she could lower her shotgun and offer to help. She also knew if she helped them, she was committing a crime by taking prisoners of war into her home. And it wasn’t considered ethical or moral. But she couldn’t stop thinking about her own sons and what would happen to them in the same position as the three young men begging for help at her gate.

“You two,” she said, “Carry your friend around the stone wall, to the back where the barn is. There’s a well pump outside and you can rest inside the barn. I’ll bring you food directly.”

“God have mercy on you, madam,” said the dark-haired man, “We will forever be in your debt.”

“I swear,” she said, “if you so much as make one wrong move, you are a dead man. And you have to lay low, because I could get into trouble for doing this. If anyone comes by looking and they find you, I’ll swear I had no idea you were here.”

“If you help us, we will protect you with our lives,” said the blond man.

As the young man with brown eyes stood, she couldn’t help but notice his clothing, still wet from the river, was torn near his upper right thigh: a large horizontal gash that exposed his strong, hairy leg.

He frowned when he realized she was staring at his leg. “Maybe if it’s not too much trouble, you could find us some suitable clothing, too. Anything would do.” Then he tugged at the torn part of his trousers and exposed more of his leg.

She turned away; she hadn’t seen the naked leg of a handsome, young man in quite some time. “I’ll see what I can do.”

“Again, thank you,” said the blond man. “It’s our good fortune to come across a woman as kind and young and beautiful as you.”

Was he actually flirting with her? It had been so long since any man had offered her such a warm compliment, she’d forgotten how to react. “I have two grown sons not much younger than you. I’m not that young, sir.”

“I find that hard to believe,” said the man with brown hair. There was a definite edge in his tone that time.

“Enough talk. Get out of plain sight before someone spots you. I’ll be around with some food.”

She placed an iron kettle with last night’s stew on the fire, brewed some strong coffee, and then went upstairs to gather clothing that belonged to her sons. Old clothes they would have used for working outside but clean and dry and certainly far superior to the rags the men were wearing. She also gathered some bandages in case the men had wounds. Then she wrapped a loaf of day-old Sally Lunn bread in a red and white checkered cloth and placed all the rescue items in a rickety, old cart she used to haul firewood in the winter. While she pulled the cart across the property toward the barn, with her dog at her side and the shotgun in her right hand, she couldn’t believe she was actually helping confederate soldiers. If anyone in town saw her, they’d swear she’d lost her senses.

As Felecia approached the barn, she noticed the dark haired man was washing up at the well pump, only wearing the gray pants with the torn thigh. His body was so thin and emaciated, she could see the outline and definition of every muscle in his naked torso. He wasn’t totally smooth. A sheer fleece covered his chest that was the same color as his raven hair, with a thin line pointing down toward his waist that probably continued well below his naval.

She stared down at her shoes. “I have food and bandages for your friend,” she said, unable to look him in the eye. “And clean clothes…I’ll bring them inside.”

“Thank you. My name is Calvin.”

“I don’t need to know your name; you won’t be here that long,” she said, taking a quick glimpse of his lean, naked torso.

Inside the barn, the weakest of the three men had been placed on a bed of stacked hay. He appeared to be the youngest; no more than nineteen. His face was the same color gray of the clothes he wore, and he had dark circles beneath his eyes. His thick hair was the color of a rusted iron buggy wheel, with dark auburn waves that framed his ashen face as though they’d been painted there in oils. It struck her, with a sharp pull in the stomach, as odd that someone so young and innocent would be fighting a war.

“Where is he injured?” Felecia asked the blond man. He was kneeling beside his friend, trying to wake him from a deep sleep.

“His leg,” he said, “He was shot a month ago, and then snagged it on a rock while we were swimming the river. He’s the reason we escaped; they would have let him die. We would have died too. They don’t feed the prisoners of war…there are men there who weigh less than 80 pounds…walking skeletons with sheer flesh on bone.”

They didn’t have to tell Felecia about the conditions at Fort Delaware; her hands were raw and her back would ache for the rest of her life because of those conditions. Unfortunately, no one else knew about what was happening over there, and there was a good chance no one would ever know what had happened once the war was over. She’d learned the hard way that historians often failed to record what they don’t want to recall. History is often repeated in ways that will protect both the guilty and the innocent. And there were no experts who could prove of disprove certain forgotten historical facts no matter how hard they tried or how much they thought they knew. Just the other day she’d read something about how well the prisoners were being treated in Fort Delaware. But Felecia knew better.

“Get him out of those filthy clothes,” she said, “I’ll be right back with my sewing kit and some whiskey. It’s already infected from the original wound, but it should be stitched up again.” She had heard the stories of what went on with the prisoners of war, but she didn’t want to hear them first hand from an actual prisoner. There were some things she’d rather not know. Until now, she never thought she’d have to either.

Felecia ran back to the house, noticing from the corner of her eye that Calvin had unbuttoned his pants and was washing his private parts. He turned as she passed, abruptly clutching himself between the legs. His face turned red with chagrin; he looked the other way. She kept walking toward the house. But it was too late. She’d already seen his hands moving around in his pants. She’d seen him lift up his thick manhood and gaze down at it. And those big, strong hands of his, fumbling to make sure everything was clean and fresh. A sad feeling passed through her entire body; a sharp pain tugged her stomach again. This was probably the first time he’d washed himself in ages. And even this wasn’t very civilized.

When she returned to the barn, Calvin and the blond man were just about to remove the injured one’s pants. He began to stir, waving his pathetically weak arms in the air as though moving in slow motion, wondering why people were taking off his clothes. Clearly, he was delirious, beyond pain.

“Just relax, Johnson,” said Calvin. “You’ve been injured and this nice lady is going to help us.” He spoke with a patient, friendly voice.

Felecia leaned over Johnson’s naked body; there was a huge gash, still bleeding, above his right knee. “One of you hold his arms and the other hold his legs still. I’m going to have to stitch this up.” Living so far out, with the county doctor miles away in Salem, she’d learned to fend for herself when it came to simple medical procedures.

First, they gave him a long swig of the whiskey to kill the pain, and then Calvin grabbed his legs while the blond grabbed his arms, and they poured whiskey on the wound. Felecia wasted no time threading the needle, pouring more fresh whiskey on the open wound and cleaning it thoroughly with a white rag. But the poor thing was so weak, he barely flinched a muscle when she began sewing the wound up. By then, his eyes were rolling back, and he was mumbling nonsensical names of people no one knew.

Felecia worked fast. And when the wound was all stitched, as she was about to cut the thread, something very odd happened. As Johnson drifted off to sleep, snoring louder than anyone she’d ever heard, an erection began to shape between his legs. Not just a semi-erection; a long, wide stick that stood from his body in a perfect angle. Calvin quickly tossed a white towel over the harmless appendage, which only made it look as though he’d just pitched a tent over the middle of the young man’s body. Had this happened under any other circumstances, Felecia would have been appalled and chased them all off her property. But the young man had been severely wounded and seemed so filled with excruciating pain, she couldn’t do anything but stare in amazement. For such a thing to happen didn’t make any sense at all to Felicia. With all that pain and everything that had happened to him, she would have thought that would have been the last thing on his mind.

The blond man lifted one eyebrow and shook his head back and forth. “We should have warned her about this, but at least we know he’s going to be okay.”

“I didn’t think of it,” Calvin said. He covered his lips with his hand to hide a naughty grin.

“What are you two fools talking about?” Felecia asked. She started to wring her hands; she was losing patience. She had a feeling they were laughing at her now. And if there was one thing she wouldn’t abide, it was being mocked. Not after all she’d been through.

Calvin frowned. “This is not a topic for a lady, but I suppose we should explain. Johnson has this problem, you see. It seems that whenever he sleeps he grows and stays that way the whole time he’s sleeping. He has little control over it.”

“Oh dear,” said Felecia, not sure how to react. Were they joking with her? “Let’s just keep it, ah him, covered then, shall we.” She turned and took a deep breath.

“Oh yes,” Calvin said, glancing toward the blond, “By the way, this is Robert.”

Felecia almost formed a smile; Calvin had a dangerous gleam in his eye. “I’m Felecia. Now you all eat something and get some rest. I’ll come out later to check on you. I have chores to do, and don’t try anything strange because my dog will be with me and so will my gun.” She decided to add this just in case they couldn’t be trusted. A woman alone couldn’t be too careful.

Ryan Field New Backlist Releases

Ryan Field New Backlist Releases

I hate writing blog post titles like the one above, but if you know blogging it’s important to title and tag a post a certain way for search engines. I would rather have just titled this post “New Releases” and left it at that.

And here they are, as I’m getting the notifications from Amazon daily:

A Young Widow’s Promise link

This is a pg rated erotic romance with a straight female main character and a gay sub-plot. It’s a novella and I think it’s about 30,000 words. It’s also a civil war historical and the setting of the novel is something I researched in detail. It all takes place on the New Jersey/Delaware border, where at one time there was a prison that held confederate prisoners of war. Felecia, the main character, falls in love with a confederate solider after losing her husband and sons in the war. She’s also taken it upon herself to dig graves on the front lawn of her home for as many dead confederate prisoners of war as possible. I’m adding the blurb to this one because it’s very different from anything I’ve done before.

Blurb

Felecia Roundtree is thirty-seven years old, she’s already lost her husband in battle, and prays each morning her two young sons live to see another day. With her own two hands, she’s turned the front of her property at remote Locust Point, NJ, into a burial ground for unknown Confederate prisoners of war, hoping someone will return a kind gesture to her own loved ones. Then one morning in August, just after she has a vision of her dead husband, three Confederate prisoners of war turn up at her doorstep begging for mercy. One is near death; the other two aren’t much better. Though she’s reluctant at first to help the enemy, she offers them food and shelter, and then eventually begins the romance of her lifetime with a young old Confederate named Calvin. When she learns a deep dark secret about the other two Confederates, she’s not sure what to think. Felecia has no idea she’s even falling in love. Nor does she realize she’s preserving an important part of American History. But she’s true to her promise every step of the way.

Billabong Bang link A short erotic romance with a multi-race character.

Another Regular Bud link A short erotic romance sequel to A Regular Bud.

Babycakes link A short erotic romance set in Australia in the Daintree Forest that was once published by Alyson Books.

Bury It, Officer link A short erotic romance with a hint of light BDSM and shoe fetish. Also in a previously pubbed anthology edited by Cleis Press and Rachel Kramer Bussel.

Strawberries and Cream at the Plaza link This is a pg rated gay romance without a lot of sex. It was originally pubbed in a different version about ten years ago in an Alyson Books anthology. It is in no way associated with a m/m romance titled Strawberries and Cream. As you can see, this story was released a while ago, long before Strawberries and Cream was even a thought.

That Cowboy in the Window link  A short erotic romance with a gender bending twist, about a transgender who can actually pass as a woman without a single issue. The ending is happy, but not in the way most might expect.

That’s it for now. All of the above titles are on Amazon for .99, and will be for at least the next three months.

Working on Another Historical…


I wish there were someone around to kick me when I start projects like this. I always say I don’t like writing historicals. But the truth is that I just don’t like the concept of writing them. It takes too long to do the research and I like things to move fast. When you’re writing a historical you have to stop and triple check facts, and sometimes you even have to cross reference to find out if there are discrepancies. The problem is that once I’m really into the story I can’t help but love it.

A Young Widow’s Promise, which is a civil war romance, took me years to write. One reason I didn’t release it was because I loved it so much I didn’t want to let go of it. Only those who have suffered public reviews can understand this. And with this book I was checking facts right down to the wire until the day it was released. Another reason why I’m not fond of doing this research is that I can’t help but question how they know the information is true or not. No one nowadays was around in the year 1860, so how can anyone really be certain something did or didn’t happen. I know there are strong arguments against what I just said. But I still can’t help wondering. And there have been times when I’ve taken historical facts and written about them even though I questioned them silently. The best you can do is trust someone with more knowledge about history. The least you can do is try to get it right given the information available to you at the time.

I swore when I finished A Young Widow’s Promise I wouldn’t do another historical for at least two more years. But like A Young Widow’s Promise, the story I’ve been working on for the past two weeks is something I’ve always wanted to write and the timing right now is perfect. I’m between Virgin Billionaire books. I just submitted a book that will be published under one of my pen names. And this particular topic I’m writing about is something I’ve always wanted to write about. But more than that, it’s a m/m historical and extremely sexy. This time, unlike with A Young Widow’s Promise, I’m targeting my usual audience.

But I do swear this is my last historical for the next two years. I’d like to focus my short stories more on westerns for the next year. I enjoy writing them and reading them. I see a lot out there, but the ones I’ve read just don’t seem very sexy to me. And if I get the urge to write another historical anytime soon, I’m coming back to this post and reading my own words.

I wish I could post more about the subject of the historical I’m working on. It’s just too soon to talk about it right now. I will post more in the coming weeks. I’m hoping to have it submitted to the publisher by early next week. And then we’ll probably take another few weeks of editing. It should be out by late February, which if I’m counting the days right, will be perfect timing.

Links to My Guest Post on Pen Names @ Top 2 Bottom Reviews…

I’d like to mention a guest blog post I wrote for Top 2 Bottoms reviews. You can get there from here. I’ll be checking in and responding to comments throughout the day, and probably the week.

Top 2 Bottoms was also nice enough to review my historical, A YOUNG WIDOW’S PROMISE. You can check that out here.

Big thanks to Top 2 Bottoms for letting me write the guest post and for doing the review!! Writing in another genre isn’t easy, especially with a novella like A YOUNG WIDOW’S PROMISE that isn’t like anything I’ve had published in a long time.

A Young Widow’s Promise


I saw this and really liked it. It the publisher’s description of A YOUNG WIDOW’S PROMISE on the publisher’s web site home page.

Here’s the link, and below is the blurb:

Finally, let’s calm it down with a historical erotic romance from Ryan Field in the Sugar and Spice line – A Young Widow’s Promise. Felecia takes in three wounded soldiers – enemy soldiers. And when her romance with one of them sparks the disclosure of a secret about the other two, she’s forced to make some decisions.

Just A Quick Thank You For A YOUNG WIDOW’S PROMISE

I’d like to thank all those who have been reading A YOUNG WIDOW’S PROMISE.
I’ve been receiving e-mails about it all week and I can’t thank you guys enough.

When I decided to write a hetero historical set during the Civil War, I wasn’t sure how readers would respond. Even though I did write a gay subplot, I was worried the novella wouldn’t resonate with readers because of what I usually write.

But so far it’s been doing better than I thought it would. And that’s nice to know.

Thanks!!

Release Day: A YOUNG WIDOW’S PROMISE

Today is release day for A YOUNG WIDOW’S PROMISE.

You can read more about it here.

Or you can do a search on the blog for A YOUNG WIDOW’S PROMISE and read a pre-release review or an excerpt. I’ve written a lot about this novella while I was in the editing process because there are a few historical facts I found interesting.

It’s not based on a true story. It’s fiction. But the setting is based on a real location that I’ve always found interesting…a Confederate cemetery in New Jersey, on Yankee soil, which you can read more about here.

Felecia Roundtree is thirty-seven years old, she’s already lost her husband in battle, and prays each morning her two young sons live to see another day. With her own two hands, she’s turned the front of her property at remote Locust Point, NJ, into a burial ground for unknown Confederate prisoners of war, hoping someone will return a kind gesture to her own loved ones. Then one morning in August, just after she has a vision of her dead husband, three Confederate prisoners of war turn up at her doorstep begging for mercy. One is near death; the other two aren’t much better. Though she’s reluctant at first to help the enemy, she offers them food and shelter, and then eventually begins the romance of her lifetime with a young old Confederate named Calvin. When she learns a deep dark secret about the other two Confederates, she’s not sure what to think. Felecia has no idea she’s even falling in love. Nor does she realize she’s preserving an important part of American History. But she’s true to her promise every step of the way.

A Civil War Historical About More Than a Man: A YOUNG WIDOW’S PROMISE

Tomorrow A YOUNG WIDOW’S PROMISE, a Civil War historical, is going to be released and I wanted to post a few things about it up front. It’s not what I normally write, and this time I decided not to use a pen name. AYWP is very low on the heat and strong on the emotion. So if you’re looking for a lot of sex, you’re not going to find it in this book.

First, it’s a novella with about 26,000 words. There are sexy scenes, though. And one of those scenes happens in the m/m subplot. Yes, there is a m/m romance subplot. But this novella will be in the m/f category.

The most important thing for me while I was writing this novella was that I wanted to have a strong female character who is just as passionate about her “cause” as she is about her man. There’s nothing wrong with books or stories that only concentrate on women who are passionate about their heros. But I wanted this character, Felecia Roundtree, to be just as interested in the cause she’s been fighting for long before she meets the love of her life.

And I wrote an epilogue this time. I rarely do this. But I think this novella called for it and I wanted to tie up the story so readers didn’t walk away feeling cheated.

Here’s an excerpt from the fist chapter:

FeleciaRoundtree sat on the edge of her bed in
the only white dress she had left since the war had
begun. She’d always preferred white because it
was simple and easy to care for. She should have
been wearing black, but she wasn’t seen often
enough to worry about it. Besides, this dress had
turned mostly pale gray by then anyway, and the
hem was beginning to fray. She’d been meaning
to buy fabric to sew a new dress, but it wasn’t on
the top of her chore list.

It was already after six on a warm, moist
Saturday morning in late August and she hadn’t
even finished dressing yet.
Felecia was thirty-seven years old but looked
more like twenty-seven. Her hair was long and

A Young Widows Promise
2
strawberry blond and parted dead center; thick
waves fell into points below her shoulders. Each
morning, she haphazardly pulled it back and
pinned it into a chignon, exposing a face so delicate
and pointed and looked so much like a handsome
fox, old friends sometimes called her Foxy.

Before she started her day, she crossed her
legs and hesitated. She rested her chin in the palm
of her hand and sighed. Then she pursed her lips
and gazed through the open window of her second floor
bedroom, beyond the small, quirky cemetery
that covered the entire front of her property. This
was one of those mornings she still had trouble
believing she had a graveyard in front of her house.

She reached for a book on the cherry
nightstand alongside the bed, a small black bible
with faint traces of what had once been gold
lettering embossed on the frayed cover. She didn’t
open it. She just placed her right palm on top and
said a small prayer for her two young sons who
were off fighting somewhere in Virginia.

Pre-release Review: A Young Widow’s Promise

This is the first time I’ve ever had a pre-release review for anything. In fact, I’m very bad about soliciting reviews and don’t do it often. But last week, when the publisher sent me the ARC for this novella, I received an e-mail from Amos Lassen literally on the same exact day by coincidence…about something that had nothing to do with A YOUNG WIDOW’S PROMISE. I know he does review all LGBTQ books, but I always thought of him as more literary. And because I’m crossing genres this time with this novella, I’ve been worried about how I’m going to promote it. So I decided to ask Amos if he’d be willing to review A YOUNG WIDOW’S PROMISE, and he graciously agreed.

Though Amos has reviewed a couple of my books over the years, again, I always thought of him as a reviewer who concentrated more on LGBTQ literary fiction rather than m/m erotic romance. And A YOUNG WIDOW’S PROMISE isn’t even considered m/m romance, let alone LGBTQ literary fiction. It’s a pg rated m/f historical romance with a gay subplot that I thought was important to the storyline. I’ve written other m/f pg rated romances in many different sub-genres, but this is the first time I’m doing it without using a pen name. And when Amos agreed to review this, I was thrilled that he’d actually take the time to do it.

Here’s a link to Amos Lassen’s web site, and the review is below.

Field, Ryan. “A Young Widow’s Promise”, Loveyoudivine.com, 2011.

The Civil War ala Ryan Field

Amos Lassen

Living in the South, it is hard not to be a Civil War buff and in fact every day I pass a couple of monuments and battle sites. Southerners are proud people and just as they do not forget what some refer to as the Great War; they also erect monuments to battles that they lost. It’s a strange life.

Every once in a while I like a good Civil War book (or as you Yankees call the conflict, The War Between the States). There is something very romantic about the period just as there is something very romantic about the old South. Of course, any novel about the Civil War will be inevitably compared to the great “Gone with the Wind”—well, maybe this one won’t as it is being released only as an ebook for now (on October 29). I must compliment Ryan Field for undertaking such a project because to write a period novel, a lot of research is required and if you have been following Field’s blog, you know that he did his share. He does not disappoint. Ryan Field is one of the most prolific writers around so I am sure it was not easy to take the time to do the research for this book and his research is evident. Life in the 1800’s was very much different than it is today to be sure, but it is the little nuances of life that capture our attention. If an author makes a mistake about the period he is writing about, someone will call him on it. (No Ryan, you on the back and say “Job well done”).

Ryan Field’s extremely readable writing style is evident here and while I cannot say much about the plot, I am going to say that once I sat down to read, I read straight through the day. And since I have used the word straight already, I will say that this is a book about a straight romance between a man and a woman. But do not throw your arms up in despair—there is a gay subplot.

I suppose what I am trying to say is that we see the author’s versatility as a writer here. I knew that he also writes straight novels under another name yet here he brings the two genres together and the result is very satisfying. You notice that I have avoided talking about the plot and the characters but there is a “method to my madness”. Rarely do I give a book an advance rave without talking about the story but that is what I am doing here. I have too often been accused of saying too much about a story so I am saying nothing except you will learn about lawn mowers. Take my word for it—you will enjoy it totally—not just because of the plot and the characters but because Ryan Field is a wonderful writer who never ceases to surprise. I want you to have the same surprises I had. I know some of you will say that this is a cursory review and it is. Let’s wait until some of you have a chance to share the story and then we’ll talk about it. In the meantime, put it on your “To Read” lists and preorder it. You won’t be sorry.

Release Date: A Young Widow’s Promise


I just received my author copies for A YOUNG WIDOW’S PROMISE and learned the release date will be October 28, 2011.

I can’t thank Dalia and Janet over at loveyoudivine.com enough for editing this book. And I can’t thank Dawne Dominique enough for creating the cover. As usual, I gave her an unrealistic, lengthy description of what I wanted the cover to be. And she interpreted it, brought it all back to reality, and came up with a cover that was better than what I’d expected.

I’ll post more when the book/novella is released. But I’d like to make it clear this is a m/f historical romance with a m/m subplot, that’s set during the civil war, and has a very happy ending. It’s also extremely low in the heat level department. There is erotica, but not anything that would be considered extreme or too graphic. In this case, the story didn’t call for it. I know I’m sometimes the first one to complain there isn’t enough erotica in some books. But I just didn’t think this novella needed it.